In Bunny Foo Foo, Hannah juxtaposes the sacred and the profane, placing a confident, topless woman within the solemn grandeur of a Gothic cathedral. The woman’s poised yet provocative stance disrupts the sanctity of the space, her eyes locked on the viewer, while the oversized martini glass she holds erupts into a nuclear explosion, evoking both indulgence and annihilation. In the background, a burning oil field underscores themes of escalation and ambition, hinting at humanity’s relentless pursuit of power and transcendence. The choice of a playful, nursery-rhyme-inspired title adds irony, turning the piece into a darkly humorous commentary on the intersection of power, femininity, and societal expectations. Hannah’s collage challenges viewers to confront the tensions between sexuality and sanctity, chaos and control, and the often-destructive forces of unchecked desire.